I found the second part of the first volume of Marcel Proust’s In Search of Lost Time to be in equal measures utterly singular, beautiful and unsatisfying. This blog post aims to elucidate some of the reasons why I have reservations about A Love of Swann’s, the second of three parts in The Way by Swann’s.
A Love of Swann’s outlines, over the course of some two hundred pages, a love affair between Charles Swann, a friend of the narrator’s family and Odette de Crécy. There is such an excess of detail provided in this section, descriptions of how attraction works, limerence and the inevitably trite courtship rituals that it can be difficult to know where to begin when parsing it, but the essential point to grasp while reading it is that Swann is a jealous, possessive lover.
Swann’s biggest problem is that he has fallen in love with Odette, who isn’t really a character at all, but a harsh metaphor about the inscrutable nature of other humans. We can never know what passes through other’s minds, we don’t know how closely their actions reflect their true feelings for us, we don’t even know if they can be said to have true feelings at all. This problem is added to by the fact that Odette seems to be more capricious than your average. Swann hears second hand that she thinks very highly of him when he had just convinced himself that she has become utterly exhausted by his clinginess. Furthermore, Swann is doomed to interpret her actions mediated through a number of upper middle class rituals of behaviour, giving him even less insight into Odette’s ‘true’ character than would be possible without them. This section therefore describes how he deals, or fails to deal, with his overwhelming jealousy.
As such, Swann conceives of a number of scenarios that involve Odette’s cheating on him, even among a group of his closest friends. When he shows up at her door one night, he bangs on it insistently and contrives an extravagant scenario wherein Odette escorts the man she is in bed with at that moment out the back door, lying about who is banging at the front at this hour of the night in order to cover her tracks. Swann becomes so convinced of this having happened, despite any actual evidence to attest to it, that he begins to read her letters behind her back and replays the scenario over and over in his mind, altering it to fit the little in the situation that he did apprehend.
On first reading this section, I enjoyed it, because I believed that what I was witnessing was the process of Swann alienating Odette and driving his love away from his forever. And who doesn’t love reading something like that? But in the back of my mind I was aware that Swann ultimately does end up marrying Odette, the narrator has told us as much earlier in the text.
So I was surprised to find myself disappointed that Odette has in fact been unfaithful. Extravagantly unfaithful, in fact, indulging in all manner of sexual hedonism, with both men and women, sometimes both at the same time. On one hand I’m interested that late nineteenth and early twentieth century Parisian salon culture provided a safe haven for homosexuals, bisexuals, pansexuals and ambisexuals, as it must have done for Proust, but on the other I’m moderately perplexed.
I thought Swann’s jealous embroideries functioned rather like Leopold Bloom’s obsessions with who has slept with his wife Molly in Ulysses. In the penultimate episode of James Joyce’s novel, ‘Ithaca,’ it is revealed how many men Bloom has been suspicious of in this regard, no matter how improbable it would have been for Molly to have had this many sexual partners in a city as small as Dublin was then:
“Penrose, Bartell d’Arcy, professor Goodwin, Julius Mastiansky, John Henry Menton, Father Bernard Corrigan, a farmer at the Royal Dublin Society’s Horse Show, Maggot O’Reilly, Matthew Dillon, Valentine Blake Dillon (Lord Mayor of Dublin), Christopher Callinan, Lenehan, an Italian organgrinder, an unknown gentleman in the Gaiety Theatre, Benjamin Dollard, Simon Dedalus, Andrew (Pisser) Burke, Joseph Cuffe, Wisdom Hely, Alderman John Hooper, Dr Francis Brady, Father Sebastian of Mount Argus, a bootblack at the General Post Office, Hugh E. (Blazes) Boylan and so each and so on to no last term.”
For Swann’s jealousy to have been bettered by Odette’s sexual reality seems to me to have missed the point, though it is possible that I’ve missed the point instead, that this blog post should have a more sociological import, as A Love of Swann’s is an important component of a marginalised history, rather than about how possessive male desire can actualise itself as being.